Lawyers are interesting in fiction. They can be the heroes, using the system to defend the innocent, even against stronger courtroom adversaries.
They can be puzzle-solvers, treating each case as a riddle to solve.
Or they can be evil – or at least amoral.
It’s not an even spread. If there’s a fictional character and all you know about them is they’re a lawyer, your best odds are to assume they’re a bad guy.
Remember the lawyer from Jurassic Park? He’s not evil as such, but he’s flawed. He cares more about compliance than justice – not a bad thing in the real world, but far from a heroic temperament in fiction.
Then, to remove all ambiguity, he abandons innocent kids when the dinosaurs come out to play. He panics, abandons them and tries to hide in a loo.
The narrative punishes him with an undignified, quick and painful death.
Compare that to Jurassic World.
The boss lady’s assistant isn’t much of a character, but she’s not shown as evil. She’s overworked but doing her best – in other words, most of us can relate to her.
When the dinosaurs come for her, her death isn’t quick. It’s slow, agonising torture, with all her fear and anguish filling the screen.
The narrative punishes her far worse than it punished the lawyer, without her committing any crime.
You might think this is okay. Real life doesn’t run on clean karmic rules – sometimes innocent folks suffer and sometimes sinister cowards prosper. But fiction both reflects and shapes the thinking of the time. We like to see sins punished and virtues rewarded, partly because it teaches us good lessons, partly because it’s cathartic.
Our heroes tell us a lot about ourselves. If we like clean-cut superheroes, that tells us something about us. If we like grimy, morally grey antiheroes, that tells us something else.
And what happens to characters tells us a lot too. In the West, most heroes save the day and get the girl. In other cultures, a hero is more likely to sacrifice themselves at the climax to take down the bad guy.
The stories we consume matter. It’s why we love them so much – and why the Enemy of Civilisation thoroughly infiltrated entertainment ahead of many other industries.
So you might think the good guys get rewarded and the bad guys get punished is too simplistic. Fine. And yet, Jurassic World couldn’t even get that right.
There’s a reason I tend to watch older shows and movies. Flawed as they can be, at least they get the fundamentals right.
On the topic of fundamentals:
What could be more fundamental than your ability to get along with others?
This isn’t an influence program.
It’s not a workshop on emotional intelligence.
No – Your Story Isn’t About You is a guide to an underrated skill: seeing things as others see them.
It’s only essential for every relationship you’ll ever have, including professional ones.
That’s why this page could be the most important thing you’ll read for a while:
https://christianhypnotism.com/ysiay
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